All we knew was we’d never seen anything like it-and never would again.Īlso Read Pretty Good Year: My Top Stories of 2022
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For most of us, MTV was-quite literally-our only access to these worlds, outside British print import rags like Melody Maker, NME, and some other greats that were sometimes tough to get our hands on.Īs with all cool British imports, by the time MTV aired The Young Ones in America in June 1985, the series had been officially over for one full year. You watched what came on-or you left the house to seek entertainment.
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(Think Paul Weller’s post-Jam Style Council.) It was a world where, in many homes, cable TV was relatively new and, even then, only on select televisions. This was also our British invasion, led by the likes of goth and new wave, introducing us to a whole new world of post-punk, pop synths, and a reinvention of our ‘70s favorites.
MTV was truly all music videos back then, with a sprinkling of select programming about on-scene and art life (like Andy Warhol’s Fifteen Minutes, ’85-’87).
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Once MTV took off in 1981, it cracked open a fantastical world of new music and the artists behind it. (L-R) Adrian Edmondson, Rik Mayall, Nigel Planer and Christopher Ryan in a University Challenge scene from the episode “Bambi.” (Credit: Don Smith/Radio Times/Getty Images)
With creators Mayall, Ben Elton and Lise Mayer at the helm, the series launched on BBC Two 40 years ago on November 9, 1982, ending its two-season run on June 19, 1984. Comedic “straight guy” actor Christopher Ryan played the delusional ladies’ man who visibly repelled any woman he came in contact with. Nigel Planer, who played the lanky, drippy, assuredly-tortured-in-each-episode hippy Neil, as well as Alexei “Balowski Family” Sayle (another series writer), were also well-known club comics. The show was the madhouse brainchild of Rik Mayall (a principal Young Ones writer, who played the character of Rik), while he and university pal Adrian Edmondson (psychopathic medical student Vyvyan) were sharpening their absurdist farce on the comedy circuit. If you ever wondered what’s at the heart of Gen X-or anyone else with a weird sense of humor-look no further than the short-lived, early ’80s sitcom about four lovable-loser college students forever known to us as The Young Ones. I don’t trust any form of gambling with people involved in it I like the machines better.Once in every lifetime comes a show like this: a zany, preposterous, living cartoon, complete with gratuitous violence, self-reflective puppets, and random alt-rock music breaks. I’ve been playing them since I was about 18, when you were getting into bars. I’m not a poker player I play slot machines. And they had a jukebox at the same time, so I was all set up. I used to live on the seaside in Wales, and that’s all there was: There was a gambling machine in the local caf'. I did a bit of gambling back then, but I don’t have any good gambling stories I have lots of bad ones. When he called it that, there was a big debate: “Are we going to take it out or leave it in?” And then we left it in. It’s got a “tap-dancing part,” you know, Phil solo. So I have no special memory of writing it. I thought it was pretty good, but I didn’t think it was that good. But when we wrote it, we were just doing an album.
When we do it onstage, everyone loves it. One of Motorhead’s most popular tunes, “Ace of Spades” is an ode to gambling and risking everything for the thrill of the game.
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